I have to say that this doc was has been a bit of a damp squib all round.
It's just a patchwork of talking heads telling their personal stories. Any one who is no longer alive doesn't get a mention, so no Stan Jones.
And then there's that random Towie reject that pops up every now and then, screeching 'nuffink adds up'.
The timeline of events is all over the place, not helped by the complete omission of all the deceased people (apart from the family). There's no narration to join up the dots, and there is no analysis whatsoever of any of the evidence. A little bit by Malcom Fletcher, but only as part of his personal story.
I thought the model of the house would have been used so that we could see the positions of doors and stairs in relation to the bodies, and the route that the firearms officers took as they entered the building. It would have been interesting to have seen the view that the firearms officer got as he peered through the window before entering. But, as random Towie reject woman would say....'Nuffink!'
I'm two and a half episodes in, and the only thing I'm wondering about, is whether Brett Collins gets his car cleaned by the end of ep 4. The tension is building.
There's one scene where Brett Collins is washing his car, and he say's 'This is the kind of thing Jeremy wanted', and a big smile washed over his face, then he said 'it's ironic'. When Bamber sees that, his blood is going to boil! It was worth it just for that.
The other memorable moment was Brett Collins telling the story about when they were in St Tropez, and he looked Bamber in the eye and asked him straight, 'Did you do it', and Bamber's reply was 'You will not believe what happened'. Then Brett Collins said that the piercing manner in which Bamber answered meant that was the end of the conversation, no more was allowed to be said on the matter. It kind of highlights how Bamber manipulates people with his intimidating personality.
So now what I've got to look forward to is Peter Tatchell blathering on about civil rights, without a care in the world about the deceased, or the remaining family of the deceased.