Part 2 Images with thanks to Bonny and J.A.T.Y.K.2
And Joana Morais
Comparison between Viewed from across the road
May 2007 beautiful trees lining the wall But NO search light ... and ....
May 2011 trees were decimated and a whopping great vulgar search light fitted (note: The photographs show that there was no light here at the time of the abduction, in early May 2007
Finally Pat Browns photograph. A professional photograph; almost without doubt not by Pat Brown herself.
Such changes since May 3rd 2007.
All the OC Block 5A trees removed and a mighty searchlight installed giving uninterrupted vision and illumination. Only now, with all the trees chopped down is the front door visible, even now poorly lit whereas before it was in almost total darkness. In 2010 when I visited, there were no lights lit. It was in darkness.
The very interesting thing really shows when you zoom in and magnify the photo x400.
See the drive in? To the left of that all the trees have been chopped down. To the right of that they have been left untouched. They are still standing.
So the line of trees in front of the tapas apartments, were purposely cut down for Pat Browns photo? ... and the ones in front of the other half of the black left standing.Amaral has insisted that the only way in, or out, is via that window.
Seems, this is an attempt to "prove" that with the window being "so overlooked" and "bathed in light", no abductor would dare to go in, or out, that way.?
Seems it is an attempt to falsely prove that the Mccanns set up a "pretend abduction" and that * Madeleine died in that apartment *?
All so that he can win his libel case against The Mccanns?
In my book that is what could be called "falsifying the evidence", or in other words CHEATING
Only a theory, but it fits, unless someone can see flaws in it
.
Why was the one half of OC denuded of trees? Why was a professional photo taken of a changed OC? Why did Amaral make so much of Pat Brown? Why did Tony Bennett make so much of her too?
Edited because someone saw a flaw in it ... in order to put it right.