Your "exhausted" is a very good argument against Mr Amaral's theory that the child woke up for no reason (as acted in his film). But here is another piece of hard evidence -
The metal shutters are noisy inside the room if the window is open while the shutter strap is operated.
I do not think that the shutters were opened from the outside. I think that the lifters first job was to raise the shutters and open the window from inside.
- Escape route
- Encouragement from outside for a fearful lifter
- To pass ?chloroform and maybe instruct on its administration
- To throw a little light on the scene, from the poor "masked" street lighting Maybe someone outside had a torch which they shone in to illuminate specific parts of the room?
- To give a false impression that Madeleine had left of her own initiative .... so mess up the search
- To take the investigators eye of the fact that the front door was used for entry and for carrying Madeleine away. So there must be a key involved. To have a key, points to the likelyhood of there being a connection to someone from OC and via that to the perps.
- Possibly to disipate fumes and other smells from the room.
At the time she was lifted, I think that Madeleine was already drugged/ sedated to some extent ... drugged at teatime or maybe just before tea, at the creche? And that is why she was so tired that afternoon, that she had to be carried home and also was too tired to go out for her surely favourite daily play withn her friends.
Then she was further drugged before carrying her off
But I think that she had to be further drugged to ensure that she did not scream out.
So all this, Pegasus, to say that I think the shutters were opened from inside the room before opening the windows, so pretty quiet.
Additionally, I think that there are
three peeps involved, altho two could have just about managed it.
I found it VERY interesting that SY were interested in
three peeps.
Oh, and of course, I have multiple pointers that Madeleine was taken up to Porto. Vila Nova de Gaia (VNG) to be precise.
But I am listening to you.